



She writes with a rare, thrilling confidence, in a lucid and exacting style uncluttered with the sort of steroidal imagery and strobe flashes of figurative language that so many dutifully literary novelists employ. one wonderful aspect of Rooney’s consistently wonderful novel is the fierce clarity with which she examines the self-delusion that so often festers alongside presumed self-knowledge. Capitalism is to Rooney’s young women what Catholicism was to Joyce’s young men, a rotten national faith to contend with, though how exactly to resist capitalism, when it has sunk its teeth so deep into the human condition, remains an open question. As its title promises, Rooney’s book glitters with talk. Rooney turns out to be as intelligent and agile a novelist as she apparently was a debater, and for many of the same reasons.
